Preferred Media
The grid is often an implied or explicit structure in my work. My processes include balancing, hanging, piercing, and leaning, accentuating the precarity and vulnerability of the work. The porous boundary between work and wall or site invites consideration of context and the ephemeral nature of matter. I favor these primary materials: utility marker flags, wire, fencing, plaster, and painter’s tape. While my manipulation of these materials is often minimal, requiring only simple hand tools, their ordinary meaning is altered completely.