Dear PRS Members and Community, I am forwarding you the special news about our upcoming conference in Dallas! Both Vice President Susan Amorde and I are attending the conference. We hope to have a strong representation of our chapter. Please share with friends, and get the word out! Warm regards, Catherine Daley PRS Board President International Sculpture Conference 2025 - Dallas, TX The 31st annual International Sculpture Conference kicks off with a celebratory opening at the HALL Arts Hotel Grand Ballroom. This elegant event sets the tone for an exciting week of conversation, creativity, and connection. In the full schedule here: https://sculpture.org/Schedule_Dallas2025, dynamic panels and hands-on workshops will take place at Dallas College El Centro Campus and the Museum of Biblical Art. These sessions bring together artists, scholars, and enthusiasts to explore the evolving field of sculpture. Be sure to explore the ISC Student Awards Exhibition at SPACE at Adolphus Tower, the Texas Sculpture Group Chapter Show at The Museum of Biblical Art, and the Closing Reception at The Cedars Union’s Boedeker Building. Cap off the experience with a post-conference day trip to AT&T Stadium, Kinfolk House, and Talley Dunn Gallery. Free admission to the Dallas Museum of Art, the Nasher Sculpture Center, and discounted tickets to Meow Wolf Grapevine. Speakers include: James Surls, Trey Burns, Ryan Hawk, Tamara Johnson, Piper Faust, Daniel Iregui, Joel Zika, Moon Papas Art, Sherry Owens, Celia Eberle, Jessica Bell, Darryl Ratcliff, and many more! Example Workshop – Ropemaking with Recycled Materials Saturday, October 25 | 2:00 PM – 3:00 PM | Museum of Biblical Art Get hands-on with a sustainable technique! Artist Tim Gonchoroff leads this interactive workshop using recycled materials from the Rio Grande Valley. A perfect fit for both students exploring material-based practices and educators looking to introduce ecological themes. Registration link: https://sculpture.org/event/conference2025 |
BOARD COMMITTEE UPDATESEXHIBITIONS COMMITTEE
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September 2025:
October 2025
November 2025
Join us at ICA SF to see their current exhibitions that offer an immersive look at contemporary identity, community, and material storytelling. Midnight March by Masako Miki transforms the gallery into a glowing procession of life-sized felted sculptures exploring myth, resistance, and empathy. David Antonio Cruz’s stay, take your time, my love presents vibrant, surreal portraits that center queer chosen families and collective care. In the spotlight installation, Tau Lewis repurposes discarded materials into textured, textile-based sculptures that reflect on memory and transformation. Together, these exhibitions invite reflection on connection—personal, cultural, and historical. Events in the Near Future
Look out for event emails with more information soon! If you would like to suggest or schedule a PRS event, please email us at events@pacificrimsculptors.org. |
MEMBER NEWSScott ElkingtonScott Elkington has recently completed Spiral Head, an imagined form inspired by the work of M.C. Escher. Crafted from Douglas fir, the sculpture plays with perspective and illusion, inviting viewers to consider the interplay of geometry, imagination, and material. Scott Elkington, Spiral Head, 2025, Douglass Fir and Acrylic paint, 12" X 10" X 22” Scott Elkington, Spiral Head (side view), 2025, Douglass Fir and Acrylic paint, 12" X 10" X 22” |
Charles H. StinsonVisually arresting 2D and 3D figurative works by West Coast artists: Denise Carletta, Lana Fly, Erik Koelle, and Charles Stinson. Observing and rendering the human form is one of the oldest acts of artistic expression. The body’s powerful ability to communicate emotion, paired with the artist’s ceaseless mission to capture and convey a message or belief, form a symbiotic relationship, the fruits of which adorn modern canvases and ancient cave walls alike. The exhibition features visually arresting 2D and 3D works from Denise Carletta, Lana Fly, Erik Koelle, and Charles Stinson. These and other California artists have been, and will continue to be, at the forefront of such explorations, and the pieces in this show bear witness to that spirit of innovation. For more information: Wessling.com Exhibition Dates: July 24, 2025 through August 30, 2025 Location: Wessling Contemporary, 39 Grant Avenue, San Francisco, California Gallery Hours: Tu - Th 12p - 6p, Fr - Sa 12p - 5p. 1st Th until 7p. Other days/times by appointment. Charles Stinson, Torso, 2025, bronze, 4.5”x3.5”x3.25” Charles Stinson, Ganda Bherundasana, 1999, bronze, 15”x16”x7.5” Follow Charles on Instagram or Facebook- Instagram: @chstinson | Facebook: Charles H Stinson Art Studio |
Lynne TodaroLynne Todaro will open her studio as part of Open Studios Santa Cruz County, a countywide event presented by the Arts Council Santa Cruz. South County artists open the first weekend of October; North County the second, and all regions the third. Visit Lynne’s studio on October 11, 12, 18 & 19, 2025, from 11 am–5 pm. Location: Lynne Todaro Studio, 1050 River St. #126, Santa Cruz, CA 95060 For more information about Lynne's work visit her website: lynnetodaro.com For a complete list of participating Pacific Rim Sculptors, visit the Arts Council Santa Cruz website. Lynne Todaro, In Studio Lynne Todaro, work in progress |
Catherine DaleyAfter five years of collaboration with CalFire and Pepperwood Preserve staff, Catherine Daley is excited to announce Journey: A Labyrinth on the Land. The site has been leveled and cleared, and the next phase will invite community participation through upcoming volunteer workdays. This project offers a unique opportunity to work alongside Catherine and preserve staff while learning about the intersection of art and nature at Pepperwood. Daley has been connected to Pepperwood since 2011 and has played a key role in supporting artists in sharing their work at the preserve. Journey is slated for completion by the end of 2025. Stay tuned for details on community workdays scheduled between September 30 and December 30, 2025. Location: Pepperwood Preserve | 2130 Pepperwood Preserve Road, Santa Rosa, CA Catherine Daley, Journey: A labyrinth on the Land; 2025; Stone, gravel; 40'L x 40''W x 1'H Follow Catherine Instagram and Facebook Instagram: @cmdaleyphoto |
Richard H. AlpertGiant Mic. by Richard H. Alpert has been chosen as a featured outdoor work in "WANDER/WONDER: A Sculptured Dance Happening" at the Price Sculpture Forest, Whidbey Island, Coupeville, WA. This immersive event is choreographed by Eva Stone, who is also a producer, curator, and teaching artist. WANDER/WONDER is sponsored by Island County and the Lodging Tax Advisory Committee. For more information: https://sculptureforest.org/dance/ Location: Price Sculpture Forest, 678 Parker Rd, Coupeville, WA 98239 Richard Alpert, Giant Mic., 2017 - 23, Expanded polystyrene, polyester resin, automobile paint, aluminum, steel. 80"H x 30"W x 30"D Follow Richard on Instagram or Facebook Instagram: @richardalpertartist Facebook: www.facebook.com/richie.alp |
Jenny RosenJenny Rosen’s sculpture Mi Casa will be featured in Pint Size 3 at Transmission Gallery in Oakland. The exhibition brings together over 100 small-scale works in sculpture, painting, collage, and assemblage, offering a lively mix of thoughtful, playful, and inspiring creations. On view September 18 through November 1, with an opening reception on Saturday, September 20, from 1–4 pm. Location: Transmission Gallery, 770 West Grand Ave., Suite A, Oakland, CA Jenny Rosen, Mi Casa, 2025, porcelain, decals, epoxy 5 x3.5 x2.5" Jenny Rosen, Mi Casa (detail) 2025, porcelain, decals, epoxy 5 x3.5 x2.5" Additionally Jenny's sculpture from her House Cards series is coming to an end at the Bedford Gallery’s Beyond Color: The Language of Black and White. Rosen explores form and structure through a limited palette, highlighting the conceptual clarity of her series. The exhibition runs July 12 through September 14 at the Lesher Center for the Arts in Walnut Creek, CA. To learn more about her work, visit jennyrosen.com or follow @heyjennyrosen. |
J. LivingstonThrough the end of October, you can find work by J. Livingston installed in the courtyard of the O’Hanlon Center for the Arts in Mill Valley. His sculpture gnonom for Gina is installed in full southern exposure, which causes the sculpture to cast elegant and shifting shadows. Best viewed between 9 AM and 2 PM on clear days. Exhibition Dates: June 16 – October 31, 2025 Location: O’Hanlon Center for the Arts, 616 Throckmorton Ave., Mill Valley, CA Find out more about this exhibition: https://www.ohanloncenter.org/2025/04/executive-directors-update-april-18-2025/ J Livingston, gnomon for Gina (detail), powder-coated aluminum and stainless steel 2" x 2"x 102" |
Jeff KeyExhibition closing this weekend! Jeff Key’s sculpture Vessel #92—Scherzo is featured in Abstraction Now, the 11th Annual GearBox Gallery Group Exhibition, Juried by: Auriel Garza, SFMOMA Curatorial Assistant of painting and sculpture. This work is part of his ongoing 100 Vessels—Theories of Evolution series, a 30-plus-year exploration of abstract forms that evoke the vessel as a cross-cultural symbol of human presence and life cycles. Constructed primarily from wood and flax, the series uses only natural, non-toxic materials for environmental and health considerations. The exhibition runs August 24 through September 13, 2025, at GearBox Gallery, 770 West Grand Avenue, Oakland, California. Jeff Key, "Vessel #92—Scherzo" (view-1) 2020, 42" x 33" x 27", Wood & Flax Additionally, a number of Jeff Key's works from his ongoing series 100 Vessels—Theories of Evolution have been selected for the 2025 Greater Bay Area Open, themed Breaking Through. Presented by the New Museum Los Gatos (NUMU), this juried exhibition features artists who challenge boundaries and push into new conceptual or material territory. Jeff’s featured piece, crafted from repurposed wood, continues his exploration of vessel forms as metaphors for transformation, fragility, and the evolution of human consciousness. Exhibition Dates: August 1 – October 4, 2025 For more information: https://www.numulosgatos.org/exhibitions-2/gbao-2025 Juried by Kristen Lindseth Rivera and Daniel Garcia, Breaking Through showcases a powerful range of contemporary voices from across the Bay Area. Be sure to visit! Jeff Key, "Vessel #24—Cold Secret". Wood. 14" x 18" x 84" To learn more about Jeff's work, visit www.jeffmkey.com, or follow @jeffmkey |
Jun Yan is exhibiting in Beyond Color: The Language of Black and White at the Bedford Gallery. This powerful juried exhibition explores the expressive depth and striking visual language of monochrome work, showcasing 81 artists from around the world.
Exhibition Dates: July 12 – September 14, 2025
Location: Lesher Center for the Arts, 1601 Civic Drive, Walnut Creek, CA
More info here
Jun Yan, Sympathy, 2021, Resin, 6"x7"x12"
To learn more about Jun's work, visit www.junyansculpts.com, or follow @junyansculpts
Emil YanosEmil Yanos presents his earth-inspired ceramic work in Juxtaposition of Clay, now on view at Jessup Cellars Gallery in Yountville. His sculptural forms speak to the emotional language of texture, color, and structure—honoring cultural memory and inviting reflection across geography and time. The exhibition runs July 25 through October 19. For more information: https://jessupcellars.com/event/gallery-opening-reid-yalom-emil-yanos/ Emil Yanos, Inner Light, 2025 Stoneware, Glazes, Underglazes & Engobe, fired to cone 5, 17.5h x 10.5w x 8.5d To learn more about Emil's work, visit www.emilyanosdesign.com , or follow @emilyanosdesign |
Vicki Gunter & Emil YanosArts of Fire is a statewide juried exhibition presented by NY2CA Gallery in partnership with the Association of Clay and Glass Artists (ACGA). Featuring the work of 34 California-based artists, the exhibition celebrates the transformative power of clay and glass in contemporary art. Pacific Rim Sculptors members Emil Yanos and Vicki Gunter are both featured in the show, which runs August 7 through September 21 at NY2CA Gallery, 617 First Street, Benicia, California. For more information: https://ny2cagallery.com/event/arts-of-fire-a-juried-exhibition/ Emil Yanos, Untitled, 2025, Stoneware, Underglazes fired to Cone 5, Tile 7 x 14.5 x .875 Frame: 10 x 17.5 x 2.75 To learn more about Vicki's work, visit www.vickigunter.com , or follow @vickigunter |
Jan Blythe's evocative piece Lamentation made of wax and collected tears is featured in Beyond Color: The Language of Black and White at the Bedford Gallery in Walnut Creek. This juried exhibition explores the expressive possibilities of black-and-white artwork across a diverse range of media.
Exhibition Dates: July 13 – September 14, 2025
Location: Bedford Gallery, Walnut Creek, CA
For more information about this exhibition: https://www.bedfordgallery.org/
Jan Blythe, Lamentation, 2006, wax and my collected tears, 1"x 13"x 13"
To learn more about Jan's work, visit http://jblyth.otherpeoplespixels.com/home.html, or follow @dumrecksix
Judith Blankman & Marguerite ElliotPRS members Judith Blankman and Marguerite Elliot are featured in The Belonging Project, a compelling outdoor group exhibition presented by Sebastopol Center for the Arts and Piazza Hospitality. Installed in a vacant downtown Sebastopol lot and soon to be hotel site, this exhibition invites the public to engage with large-scale sculptural works that explore themes of identity, place, and connection. Judith Blankman’s installation, Wildfire’s Child II, is a powerful reflection on resilience and transformation in the wake of environmental disaster. Marguerite Elliot’s work, Where Have All the Birds Gone?, draws attention to the devastating loss of three billion birds over the past 50 years, echoing Rachel Carson’s haunting warning from Silent Spring. Exhibition Dates: July 1 – October 31, 2025 For more information about The Belonging Project: https://www.sebarts.org/thebelongingproject The exhibition is viewable 24/7 from the sidewalk, with occasional access to the interior during scheduled events (details TBA). Don’t miss this chance to experience art that speaks deeply to our shared need to belong. Judith Blankman, Wildfire's Child II, 2025. Burnt branches and twigs collected from Kincaid (2019) and Point (2024) fires in Sonoma County, used children’s furniture, leaves. Dimensions: 4.5′ H (interior) x 2.5' H (exterior) x 8.5′ Diameter. Photo: Laura Hagar Rush, Sebastopol Times. Marguerite Elliot, Where Have All The Birds Gone? To learn more about their work: Judith - www.judithblankman.com, or follow @dreamfishseb Marguerite - www.margueriteelliot.com, or follow @marguerite101 |
MEMBERSHIP & PARTICIPATIONPARTICIPATE IN PRS
MEMBERSHIP IN PRS & ISCMembers of Pacific Rim Sculptors receive a 20% discount when joining the International Sculpture Center, publishers of Sculpture magazine (ISC, www.sculpture.org). Just enter "PRS" as the Chapter Code. The online version of Sculpture magazine is now available at SculptureMagazine.Art, which includes archived issues. Also check out the ISC Website Sculpture.org member resources; add photos of your works annually for review by collectors, gallerists, curators, and corporate buyers. |
Reminders to PRS members:
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